Unplugged
In 2017, Jonathan Coulton dropped his double album Solid State . I immediately ordered a copy on vinyl. It turned out to be a concept album, but not in the sense of telling a story with a beginning, a middle, and an end. It was more of a nonlinear set of dystopian sketches of a world that had become too connected, too online. In his epilogue to the album's companion graphic novel, Coulton summed up the mood of the time. "When I started work on Solid State , the only thing I could really think of that I wanted to say was something like, 'The internet sucks now'" . Coulton's unique style up until Solid State had been mostly catchy, uptempo songs that featured quirky humor—a mad scientist develops a poignantly unrequited crush on his victim, an intentionally larger-than-life portrait of Kenesaw Mountain Landis ends with Shoeless Joe Jackson (of the 1919 Chicago Black Sox infamy) switching careers to become a pop star who "asked the musical question Is She